There, Patric Fallon and Kris Hannum mainly stuck to ’90s-era acts like Mineral and Braid. Most say that Diary in San Francisco, which ran from 2009 to 2012 and briefly returned in 2015, was the first. Though emo nights may be reaching their apex, they are not a new phenomenon. endeavor’s merch booth, every night is emo night. To borrow a phrase from one of the T-shirts on sale at the L.A. Not having one in your hometown lands somewhere between sin and tragedy. Other touring ventures and regional strongholds are currently feeding the seemingly insatiable desire from audiences to hear this music loud, communally, and in public. On Saturday, there will be Emo Nite-affiliated parties in Boise, Cleveland, and San Francisco.Īfter playing this year’s Coachella Festival and planning a three-day event in New Orleans this fall, Emo Nite may currently have the highest profile, but it’s far from the only party that plays this music. But it’s also disseminated the brand nationally, setting up delegates at venues around the U.S. Started in 2014 by Freed, Petracca, and Barbara Szabo ( who left the operation last year), Emo Nite Los Angeles has moved from an Eastside bar, the Short Stop, to a nearby club, the Echoplex, to the even bigger Avalon. It’s this really cool, misfit fucking party.” “Seeing where it’s at, seeing where the scene’s at, it makes sense,” he says. Frank Zummo, a journeyman drummer and current member of Sum 41, has DJed and performed at Emo Nites across the country for years, often playing EDM remixes and the mashups he makes. From there, Secondhand Serenade’s John Vesely performed a short set of his acoustic heartbreak ballads, culminating in the vulnerable “Fall for You’’ as the crowd sang with him, “Tonight will be the night I faaall for you, ooover again.” That was immediately followed by the DJs dropping a double shot of 3OH!3, the crass party rockers known for telling scene queens, “Shush girl, shut your lips, do the Helen Keller and talk with your hips.”Įven in its earliest days, Emo Nite pulled in guest DJ sets and performances by luminaries like Blink-182’s Mark Hoppus and Chris Carrabba of Dashboard Confessional. No one pretends they’re too cool to scream out the chorus of Kelly Clarkson’s “Since U Been Gone.” That night, after the DJs on stage put a pause on the mosh pit, they directed the audience’s attention to one of the Avalon’s opera boxes. Instead, the attitude is that emo might as well be everything. On that night in July, Blink-182 singles were omnipresent, and at one point, after an auxiliary DJ in the lobby’s bar finished playing Sum 41’s “Fat Lip,” I walked into the main room where the guest DJ, Alex Garcia from the band Mayday Parade, was also playing “Fat Lip.”ĭuring Emo Nite, there are no contentious debates about what emo is. also doesn’t shy away from music that isn’t likely to be categorized as emo, particularly pop-punk. That was the sound’s most commercially bountiful era, when acts like My Chemical Romance and Fall Out Boy were MTV staples and touring titans. Though the genre the party takes its name from has roots that go back to the mid-1980s and a long history of DIY scenes, Emo Nite’s focus is on the aughts. Perched above the stage, he led them in sweaty sing-alongs to hit after hit, emo or otherwise: “Helena” into “My Own Worst Enemy” into “My Friends Over You” into “Dear Maria, Count Me In,” all long before midnight.Įmo Nite Los Angeles doesn’t shy away from the bangers or the crossover songs. Despite Petracca’s absence, Freed had no problem keeping the crowd riled up. Petracca, was quarantining in Massachusetts after testing positive for COVID following a gig in Boston. His look was reminiscent of what Lindsay Lohan jingle bell rocked during the talent show scene in Mean Girls. Morgan Freed, one of the party’s cofounders, stood on top of the DJ booth, wearing a skimpy Mrs. Though the summer weather hadn’t turned frightful, a fully decorated tree and bright red stockings mixed with balloons emblazoned with the words “SAD AS FUCK.” Clips from A Christmas Story and Jingle All the Way looped silently on video screens. On a Friday night in the beginning of July, the Avalon in Hollywood was decorated with a Christmas theme for Emo Nite Los Angeles’s monthly party. Grab your Telecasters and Manic Panic and join us in the Black Parade. Welcome to Emo Week, where we’ll explore the scene’s roots, its evolution to the modern-day Fifth Wave, and some of the ephemera around the genre. In case you haven’t heard, emo is back, baby! In honor of its return to prominence-plus the 20th anniversary of the first MCR album-The Ringer is following Emo Wendy’s lead and tapping into that nostalgia. Pop punk party songs.My Chemical Romance is touring again, Paramore and Jimmy Eat World are headlining a major festival this fall, and there’s a skinny, tattooed, white dude with a guitar dominating the charts.
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